Five diagrams of the surface of the moon, during its phases. Aquatint after Galileo Galilei

1610: Dawn of the Extraterrestrial

Galileo's telescopic view of the Moon sparked a giant transformation in the way human beings thought about the natural world.
Grand Canyon below rim, 1964

When the Government Tried to Flood the Grand Canyon

In the 1960s, the government proposed the construction of two dams in the Grand Canyon, potentially flooding much of Grand Canyon National Park.
A 19th century Kalighat painting from Calcutta, India

How Bengal’s Nineteenth-Century Art Defined Women

Women’s roles as icons ranged from being seductive and erotic to mythical and religious as they imparted social, political, and ethical values.

Making Egypt’s Museums

The world’s largest archaeological museum is poised to open on the Giza Plateau, building on two centuries of museum planning and development.

How Rocks and Minerals Play with Light to Produce Breathtaking Colors

Rocks and minerals don’t simply reflect light. They play with it and interact with light as both a wave and a particle.
Aerial view of a mangrove forest, a natural carbon sink

Should Environmental Policy Commodify Nature?

The White House is calling for the integration of natural capital accounting frameworks into land-use decisions, putting nature on the balance sheet.
An illustration of Agaricus muscarius from Illustrations of British mycology by Anna Maria Hussey

The Fungi-Mad Ladies of Long Ago

In mycology’s early days, botanical drawing was, for some women, a calling. Their mushroom renderings were key to establishing this new field.
Lord Byron's Maid of Athens

When Lord Byron Tried to Buy a Twelve-Year-Old Girl

The English poet fell in love with Teresa Makri while he was traveling in Greece and subsequently tried to purchase her from her mother.

Rain Scent, Tricky Genes, and the Mysterious X

Well-researched stories from Quanta Magazine, The Conversation, and other great publications that bridge the gap between news and scholarship.
Gourna Mosque

Hassan Fathy and New Gourna

Fathy rejected European ideas of modernism, arguing that Egypt could draw on its own regional histories to develop a national aesthetic.