American Immigrant Literature Gets an Update
Despite the historical gulf between canonical and recent immigrant writing, one constant is the mark that new immigrant artists leave on US literature.
Her Bounty Is Boundless
From the first actor—a man—to play Juliet to the “girl boss” version on Broadway, Shakespeare’s young lover offers something new in every iteration.
Isaac Babel’s Red Cavalry
Set during the Polish-Soviet War of 1919–1920, Babel’s novel captured the indiscriminate violence and injustice of warfare.
Ode to Samuel Delany
Composed half-a-century ago, The Ballad of Beta-2 was a science-fiction vision of the future that speaks directly to our present.
The Short-Lived Le Navire d’Argent
Despite its short run, Adrienne Monnier’s literary review made its mark on modernist literature, publishing the work of James Joyce, T. S. Eliot, and Walt Whitman.
Michael Gold: Red Scare Victim
The author of Jews Without Money, a proletarian lit best-seller, was ostracized for his Communism and derided for his prose. Today he is all but forgotten.
“The Murders in the Rue Morgue” by Edgar Allan Poe: Annotated
Poe's 1841 story, arguably the first detective fiction, contains many tropes now considered standard to the genre, including a brilliant, amateur detective.
Edna Ferber Revisited
The first-generation Jewish American novelist exposed entrenched prejudices of her day. A reissue of The Girls introduces her wit to new readers.
The Boston Athenæum
Founded in 1807, the subscription library was a gathering place for local scholars, “men of business,” and members of the upper classes in search of knowledge.
William Morris, Anti-Capitalist Publisher
By drawing on traditional typefaces for Kelmscott Press, Morris showed that he was unwilling to yield to capitalism’s demands for speed and efficiency.